CHI TIẾT NGHIÊN CỨU …
Tiêu đề
The phallocentric gaze: Leon Battista Alberti and visual art
Tác giả
Sydie R.A.
Năm xuất bản
1997
Source title
Journal of Historical Sociology
Số trích dẫn
0
DOI
10.1111/1467-6443.00042
Liên kết
Tóm tắt
Two questions are addressed: Why did Alberti promote the crafts of painting, sculpture and architecture as liberal arts? How did this contribute to the misogynist nature of fine art theory and practice? The answers proposed are, first, Alberti's promotion was a valuable form of symbolic capital that gave him an innovative route to influence and status with powerful patrons. Secondly, the misogynist contribution was a consequence of a particular approach to perspective in conjunction with a gendered understanding of the artistic 'eye'. Both answers are anchored in the patriarchal culture of fifteenth-century Florence.
Từ khóa
Tài liệu tham khảo
Alberti L.B., On Painting, (1966); Clarke K., Prophetic book of academism, The Art of Humanism, (1983); Concurs A., Study of art and its history has been determined by the art of Italy and the Albertian definition of the picture has been taken as the general and lasting model Svetlana Alpers, The Art of Describing: Dutch Art in the Seventeenth Century, (1983); Hulse C., The Rule of Art: Literature and Painting in the Renaissance, (1990); Overy P., The new art history and art criticism, The New Art History, (1986); Harris A.S., Nochlin L., Women Artists: 1500-1950, (1976); Parker R., Pollock G., Old Mistresses: Women, Art and Society, (1990); Kelly-Gadol J., Did women have a renaissance?, Becoming Visible: Women in European History, 2nd. Edition, (1987); Elias N., Power and Civility, (1982); Alberti L.B., The Family in Renaissance Florence, (1969); Schevill F., Medieval and Renaissance Florence, 2 Volumes, 2, (1961); Baron H., Search of Florentine Humanism, 2 Volumes, 1, (1988); Gadol J., Alberti L.B., Universal Man of the Early Renaissance, (1969); Alberti L.B., On Painting; Burckhardt J., The Civilization of the Renaissance in Italy, (1960); Gadol L., Battista Alberti: Universal Man of the Early Renaissance, pp. 10-11; Kristeller P.O., The modern system of the arts: A study in the history of Aesthetics, Journal of the History of Ideas, 12, (1951); Burke P., Tradition and Innovation in Renaissance Italy, (1974); Baron H., In Search of Florentine Civic Humanism, 1; Kuehn T., Reading between the Patrilines: Leon Battista Alberti's Della Famiglia in the light of his illegitimacy i, Tatti Studies: Essays in the Renaissance, 1, (1985); Kuehn, Reading between the Patrilines; Herlihy D., Klapisch-Zuber C., Tuscans and Their Families, (1985); Kuehn, Reading between the Patrilines; Kuehn, Reading between the Patrilines; Baron, In Search of Florentine Civic Humanism, 1; Alberti L.B., The Family in Renaissance Florence, pp. 139-140, (1969); Gadol, Leon Battista Alberti; Alberti L.B., On Painting; Krautheimer-Hess T., Lorenzo Ghibertii, (1982); Boas M., The Scientific Renaissance, (1962); Wartofsky M., Visual scenarios: The role of visual representation in visual perception, Perception of Pictures, 2, (1980); Panofsky E., Renaissance and Renascences in Western Art, (1960); Edgerton S.Y., The Renaissance Rediscovery of Linear Perspective, (1975); Edgerton, The Renaissance Rediscovery of Linear Perspective; Spencer J.R., Introduction, On Painting; Schevill F., Medieval and Renaissance Florence, 1; Alberti L.B., On Painting; Gadol, Leon Battista Alberti; The Renaissance Rediscovery of Linear Perspective; Gadol, Leon Battista Alberti; Martin J., Downcast Eyes: The Denigration of Vision in Twentieth Century French Thought, (1994); Spencer, On Painting; Umberto E., Art and Beauty in the Middle Ages, (1986); Alberti L.B., On Painting and Sculpture, (1972); Alberti, On Painting and Sculpture; Alberti, On Painting and Sculpture; Battista, On Painting and Sculpture; Alberti, On Painting and Sculpture; Jay, Downcast Eyes; Hedrick D.K., The ideology of ornament: Alberti and the erotics of renaissance urban design, Word and Image, 3, 1, (1987); The Ideology of Ornament; Keller E.F., Grontkowski C., The mind's eye, Discovering Reality: Feminist Perspectives on Epistemology, Metaphysics, Methodology and Philosophy of Science; Cixous H., Sorties, New French Feminisms, (1980); Irigaray L., Ce Sexe Que N'en Est Pas Un, (1977); Keller, Grontkowski, The Mind's Eye; Pollock G., Vision and Difference: Femininity, Feminism, and the Histories of Art, (1988); Berger J., Ways of Seeing, (1972); Keller, Grontkowski, The Mind's Eye; Maclean I., The Renaissance Notion of Woman, (1980); Alberti, On Painting and On Sculpture; Alberti, On Painting and On Sculpture; Eco, Art and Beauty in the Middle Ages; Alberti, On Painting, pp. 68-69; Alberti, On Painting; Keller, The Mind's Eye, pp. 219-220; Cassirer E., The Individual and the Cosmos in Renaissance Philosophy, (1963); On Painting; Alberti, On Painting; King M., Rabil A.J., Her Immaculate Hand: Selected Works By and About Women Humanists in Quattrocentro Italy, (1983); Maclean, The Renaissance Notion of Women; Alberti, On Painting and On Sculpture; Gadol, Leon Battista Alberti, pp. 80-81; Alberti, On Painting and On Sculpture; Alberti, On Painting and On Sculpture; Cassirer, The Individual and the Cosmos; Bynum C.W., Fragmentation and Redemption, pp. 220-221, (1992); Cennini C.D., Il Libro Dell'arte: The Craftsman's Handbook, (1933); Clark K., The Nude, (1956); Alberti, On Painting and On Sculpture; Alberti, On Painting; Alberti, On Painting; Jarzombek M., On Leon Baptista Alberti: His Literary and Aesthetic Theories, (1989); Jazombeck, On Leon Battista Alberti, pp. 158-159; Alberti, On Painting and On Sculpture; Alpers S., The Art of Describing: Dutch Art in the Seventeenth Century; Wackernagel M., The World of the Florentine Renaissance Artist, (1981); Nochlin L., Why have there been no great women artists?, Art and Sexual Politics, (1971); Ficino M., The Letters of Marsilio Ficino, 3, 2, (1978); Preziosi D., Rethinking Art History, (1989); Preziosi, Rethinking Art History; Alberti, On Painting; Grayson C., Leon Baptista Alberti: Opere Volgari, 2 Volumes, 1, (1966); Grayson, Leon Baptista Alberti, 1; Levy M., Early Renaissance, (1967); Borsi F., Leon Battista Alberti, pp. 11-12, (1975); On Painting; Gadol, Leon Battista Alberti, pp. 239-240; On Painting and On Sculpture; Weisner M.E., Women's defense of their public role, Women in the Middle Ages and the Renaissance, (1986); Alberti, The Family in Renaissance Florence; Alberti, The Family in Renaissance Florence; Burckhardt J., The Civilization of the Renaissance in Italy; Burckhardt, The Civilization of the Renaissance in Italy; Burckhardt, The Civilization of the Renaissance in Italy; Kelly-Gadol J., Did Women Have a Renaissance?, pp. 188-189; Herlihy D., Did women have a renaissance? a reconsideration, Women, Family and Society in Medieval Europe, pp. 33-56, (1995); Herlihy, Did Women Have a Renaissance? A Reconsideration, pp. 55-56; Women, Family and Society in Medieval Europe; Herlihy D., Klapisch-Zuber C., Tuscans and Their Families, (1985); Trexler R.C., La prostitution florentine au XVe siecle:Patronages et clienteles, Medieval Prostitution, (1988); Brown J.C., A woman's place was in the home: Women's work in renaissance tuscany, Rewriting the Renaissance, pp. 206-224, (1986); Herlihy D., Women's work in the towns of traditional europe, Women, Family and Society in Medieval Europe, pp. 69-95; Chadwick W., Women, Art and Society, pp. 59-60, (1990); Klapisch-Zuber C., Women, Family and Ritual in Renaissance Florence, (1985); Klapisch-Zuber C., Women, Family and Ritual in Renaissance Florence; Kent F.W., Household and Lineage in Renaissance Florence, (1977); Kent, Household and Lineage in Renaissance Florence; Guicciardini F., Maxims and Reflections of a Renaissance Statesman: (Ricordi), (1965); Klapisch-Zuber C., Women, Family and Ritual in Renaissance Florence; Right for a perfect mother of a family, The Family in Renaisance Florence; Herlihy, Did Women Have a Renaissance? a Reconsideration, pp. 47-51; Gadol, Did Women Have a Renaissance?; Herlihy, Did Women Have a Renaissance? a Reconsideration; Herlihy D., Women and the sources of medieval history, Women, Family and Society in Medieval Europe; Chadwick, Women, Art and Society; Herlihy, Women and the Sources of Medieval History; Weissman R.F.E., Ritual Brotherhood in Renaissance Florence, (1982); Herlihy D., The florentine merchant family of the middle ages,, Women, Family and Society in Medieval Europe, pp. 193-214; Padgett J.F., Ansell C.K., Robust action and the rise of the medici, American Journal of Sociology, 98, 6, pp. 1259-1319, (1993); Wilkins D., Women as artist and patron in the middle ages and the renaissance, The Roles and Images of Women in the Middle Ages and the Renaissance, pp. 107-131, (1975); Sydie R.A., Humanism, patronage and the question of women's artistic genius in the italian renaissance, Journal of Historical Sociology, 2, 3, pp. 175-205, (1989); Herlihy D., The rulers of florence, 1282-1530,, Women, Family and Society in Medieval Europe; The Family in Renaissance Florence; Bynum, Fragmentation and Redemption; Alberti, The Family in Renaissance Florence; Wittkower R., Ideas and Images: Studies in the Italian Renaissance, (1978); Hedrick, The Ideology of Ornament, pp. 119-120; Baron, Search of Florentine Civic Humanism, 2; Weissman, Ritual Brotherhood in Renaissance Florence; Herlihy, Klapisch-Zuber T., Martines L., Lawyers and Statecraft in Renaissance Florence, (1968); Martines L., Power and Imagination: City-states in Renaissance Italy, (1979); Baron H., The Crisis of the Early Italian Renaissance, (1955); The World of the Florentine Renaissance Artist; Cole B., The Renaissance Artist at Work, (1983); Scott J.W., Gender and the Politics of History, (1988); Scott, Gender and the Politics of History; Her Immaculate Hand; Boccacio G., Concerning Famous Women, (1963); Elyot's T., Defense of Good Women'; Simon K., A Renaissance Tapestry: The Gonzaga of Mantua, (1988); Hedrick, The ideology of ornament; Keller F., Grontkowski, The Mind's Eye; Alpers, The Art of Describing; Alpers, The Art of Describing; Nochlin L., Women, Art, and Power and Other Essays, (1988)
Nơi xuất bản
Blackwell Publishing Ltd
Hình thức xuất bản
Article
Open Access
Nguồn
Scopus